Self-released new album, “Embrace In Disgust”, out now!
California has an inhuman and ruthless heresy that bloodthirsts for the unholy callous dissonance and barbarous brutality of which we have unseen, Lost To The Void has a mission of remorselessness and an intentional tenacity to diversify death metal. With vigor, they are pleased to unleash their second album “Embrace in Disgust”, which will exemplify technical blistering riffs that integrate with uncivilized heavy-hitting breakdowns and alleviates with melodies, this unformulated conclave is here to expel and annihilate.
The band comments: “This album means so much to us as a band. It is quite literally a collection of so much pain and tragedy intertwined with the reality that has this visceral feeling that in a lot of ways is hard for some of us to listen to. The loss and suffering endured to bring this album to completion was not worth it but regardless it’s there now for everyone to hear and feel. We hope that Colin is proud and somehow able to listen to this thing. One thing that really hurts is he was never able to sit down and listen to this final product with us. Hope it came out just the way you wanted, brother. FOR COLIN, FOR EVIL, FOREVER.”
Lost To The Void has been working on this album for over three years, and they hope everyone enjoys it as much as they do. Along with channeling the pain that accumulated over the pandemic, this album also encapsulates the heartache that ripples through the band after losing the heart of the band, guitarist Colin. The concept of the album is about the end of the world as we know it and each song describes different issues that are contributing to our eventual downfall.
“Embrace in Disgust” was produced and mixed by Andrew Llewellyn and Paul Madrid of Angler Audio; mastered by Phil Pluskota of Sonic Assault Studios and the artwork was done by Llewellyn. It is recommended for all fans of death metal, especially those who enjoy Whitechapel, The Faceless, and Organectomy.
