New album, "Sweet Evil Sun", out on November 18th!
Swedish godfathers of epic doom metal, CANDLEMASS, have returned to continue their unmatched legacy. With their new album, Sweet Evil Sun, out November 18, 2022 via Napalm Records, they are ready to prove once again that they reign as one of the heaviest metal bands on earth, bringing epic doom to the world of metal.
After working on this massive piece of art for 18 months in total, with Sweet Evil Sun, CANDLEMASS brings back all the grandness of their early years, exploring themes of ambition and strife, hope and failure. It comes as no surprise that, alongside the band, renowned producer Marcus Jidell captured the band’s massive, smoky guitar tones, powerful drums and larger-than-life vocals, offering a truly unique, high quality sonic experience.
Recorded at NOX studio in Stockholm, Sweden, Sweet Evil Sun impressively showcases that, after almost 40 years in the game, the creativity of these Swedish doom masters sees no bounds. Through the power of wall-shaking riffs, incredible vocal performances and the blood and spirit of classic heavy metal, Sweet Evil Sun shines as a masterpiece of impending legend that truly honors the epic doom metal cult of CANDLEMASS.
The artwork for Sweet Evil Sun was illustrated by the skilled hand of Erik Rovanpera, the architect behind CANDLEMASS’ visual style since Psalms for the Dead (2012)
Leif Edling on the new album: “Sweet Evil Sun is about hope, striving, adoration and failure. It's about all the personal battles that you have, but also the never-ending decay of humanity.
The record took over a year to make and there's not a bad track on it! We had a fantastic time recording it and are really looking forward to the release. It's Doom, It's Metal! It is the essence of CANDLEMASS put into one album!”
Opening track “Wizard Of The Vortex” instantly casts a spell with a riff so powerful, the listener is immediately ensnared. Title track “Sweet Evil Sun” kicks in with warning guitar feedback before sludging a heavy-as-hell riff as Johan Langquist deftly warbles through melancholic, beckoning passages and a hooky chorus. His imposing vocals fit each riff and tone perfectly, emerging as an instrument in itself. Jennie-Ann Smith (Avatarium) lends her beautiful voice to the theatrical, grim "When Death Sighs”, creating a shimmering, intermingled chorus duet eventually backed by rising organs and a marching rhythm. The haunting atmosphere is highlighted by an amazing guitar solo that reads like a story as it bends and descends, marking the sign of death on the listener’s door.
(Photograph by Linda Akerberg)